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The Making of a Historically Informed Bow

                  Dipper Restorations, being museum restoration specialists, sometimes has the opportunity to work with the collection of the National Music Museum on the campus of The University of South Dakota. One of

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The Stradivari Viola D’Amore, pt 1

In 1976 as part of my work translating Simone Sacconi’s book, The “Secrets” of Stradivari into English I was asked to review the holdings of the Ala Ponzone collection of Stradivarian material in Cremona. This collection consists of the residue

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The Stradivari Viola D’Amore, pt 2

The first question I had to ask concerning these paper patterns was regarding their authenticity. Were they actual material from the Stradivari shop, or were they additions to the collection from later makers such as Bergonzi, Guadagnini or Ceruti? The

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The Stradivari Viola D’Amore, pt 3

I started building the instrument in 2001, but because of the restoration demands of the workshop it was not finished until 2008. The wood for the instrument came from three sources. For the belly I chose a very old piece

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